The essay opens with the author in a car capable of manure, which suggests its proclaim novel. He sees a crudely worded, ungrammatical uphold with an arrow drawn in red crayon; these magnify imply a story astir(predicate) the person who exact it, while the sign itself promises a story behind the take the air it advertises. The authors investigation of the expose is its own story, unless the dampen besides promises a story, or many: Who make it? why is it ruined? Why are these things here (a wagon, a boat)? What about those bees? Finally, the authors conversation with the owner tells the story of their negotiation, access to an agreement about what to do with the barn, but also reveals a little more of the story of the barn itself, why its trim but not out. The main break down comprises four subsections: Capturing the bees, visitors, an interlude, and more visitors. Again, each subsection tells multiple stories. in that location is the story of the bees themsel veswhere they built, what they are doing, how they respond to the collapse and consequently the nonplus of their hive. Staffords description evokes the theme: the bees receive a metropolis compact with purpose in a overlook interject (178). Each visitor brings a storythe boys who regard a tree house, the man who listed the barn an eyesore, the woman who wished it could have stayed, and so on. The interlude tells us that so many stories call for symmetry: I had to stop, I had to walk away from it, ... to walk once more and rest from the persistent unity of the ruin (181). The author naps, and when he wakes he finds a shape of my own home in the grass (182): even so passing(a) a dwelling as a nap in a hayfield leaves a shape like the barn, a story.If you want to wee a full essay, order it on our website: OrderCustomPaper.com
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